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Moving Forward The First Quarter

September 24th, 2009

Moving Forward The First Quarter

The moon has moved from its dark phase and now begins the first quarter or waxing phase. With increasing light of moon, energy too is increasing. Your monthly projects are taking shape and your plans should be in motion. However, just like any project that has been started, obstacles and challenges will arise.

The First Quarter energy reminds you to take a moment to re-evaluate your course of action and determine whether you should continue on as planned or to redirect your path. If you followed the guidance of the New Moon, you will have taken time to rest and gather strength, so you should have the stamina to alter your path should you find it necessary or plug away as you have.

As the moon moves ever closer to its Full phase, we will find our energy continuing to grow and our projects coming closer to fruition. Let the moon guide you. It's a giant reminder above showing you that work can be accomplished in a healthy and balanced way, which is the path of true productivity.

DoAn

Exploring Cycles The New Moon

September 18th, 2009

Exploring Cycles The New Moon

Because of my interest in exploring and connecting to natural cycles and rhythms, I thought it would be appropriate to officially begin the process and share my journey at the start of the New Moon phase. In ancient Celtic tradition, the beginning of a cycle is it the dark time. For example, the day begins at sunset, not at midnight, and so the beginning of the lunar cycle is when the moon is dark.

Energetically, the time of the new moon calls for introspection and meditation and to reflect on your accomplishments of the previous month. The new moon can then be a time of being rather than doing, a time to rest and prepare for the next cycle where energy will increase and action will begin again.

I believe, for me, the previous lunar cycle was focused mainly on my getting to O.A.C. and getting settled in here. I spent the last week wandering about the grounds (I have probably only covered about a quarter of the land so far!) and just connecting to the energy and abundant life here. Sometimes I just sat and observed or read in different locations of O.A.C. and other times I sketched or took photos. Over the next week, I will reflect on my being here and meditate on my plans for what I will work on through the next lunar cycle.

It makes sense to me to incorporate a regular interval quiet time in our lives. So much of our society is focused on constant production and a striving to attain goals at all costs, which, I think, is unhealthy. It is impossible to be constantly productive (and I believe it's unnecessary), because eventually productivity fails when a person becomes exhausted, burned out, and depleted of all resources. Yet despite this, society pushes us ever harder to live up to this impossible notion. However, if someone wants to be truly productive (in a healthy way), there needs to be a period of rest and reflection. Without such a time, we are more apt to become depleted and spin off into directions that may not necessarily be appropriate for our goals. I can think of a lot of examples in my own life or in America where this is just what has happened!

Why not join me during this time to let things go for a week? Stop doing and just be for a little while. Reflect on the last month and the work you have been doing. Examine whether you are on track with your goals, or if an adjustment is needed. Rest. Meditate. Give thanks for what you have, so that you can begin the next phase with renewed energy and focus for the next cycle ahead. Avoid thinking of this time as a waste. It is a critically important part of a natural and healthy cycle that promotes growth and balance in any endeavor. I look forward to seeing you with me in the dark!

DoAn

DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of DoAn Art may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

All artwork and text © Copyright 2005-2009 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

The Hare

April 5th, 2009

The Hare

This painting is titled “The Hare: Fear, Creativity and Rebirth” I have been thinking about the role of fear in life. What does fear teach us? When I approach a new painting, I often struggle with fear. Sometimes it can be a silly fear, like what if I use the wrong color and ruin the whole painting. But, often the fear is much deeper and more personal.

Sometimes making art is very hard, because in order to do it, you have to spend a lot of time with yourself, alone, with only your thoughts and emotions. Many times startling thoughts and feelings can rise to the surface and really shake me up. I have to overcome the fear that each time I sit down to work on a painting those dark thoughts can come and stir things up, whether I like it or not. Some paintings really force me to explore the darker aspects of myself and the world I live in. There are times when I have to put limits on the amount of time I can work on a particular painting, as the thoughts and feelings that come up can really drain me.

But, despite this challenge, I feel triumphant each time I leave a painting and come back to it again. Fear is only as bad as we allow it to be. The Hare has many enemies. Every day it must leave the safety of its home and forage for food, knowing that danger lurks from every direction. Yet, it must leave despite this fear, or it would starve or be unable to find a mate. I believe that the Hare teaches that we each have the ability to overcome fear, even if we are faced with it every day, whether it is from outside or inside.

Additionally, it takes creativity to outwit our enemies or to find ways to over come the fear that stifles us. The Snowshoe Hare changes its coat from brown to white during the seasons, an example of nature’s creativity at work. We are gifted with many tools available to us to outwit fear, it is often our own creativity that helps us use those tools effectively.

And, always, whether we succumb to fear or find ways to transcend it, we experience a rebirth. It can be small or completely transformative. The barberry bush behind the Hare bears little red fruit, each fruit contains two tiny seeds. Each seed is the potential and rebirth we all have within ourselves and is present in any given situation. Each time we transcend our fears we emerge stronger and more empowered, we are reborn as new beings, like the Hare, wearing a new coat ready to face the next fear that waits to challenge us.

(The Hare: fear, creativity and rebirth, 5×7”, ink fresco)

DoAn

Looking Before Leaping Forward

March 7th, 2009

Looking Before Leaping Forward

Looking Before Leaping Forward

I recently finished the painting "The Morrigan: the Dark Mother", which is a mediation on the roles that darkness, death, the end of things, etc. plays in our lives. (A detail of it is seen here. )
And as signals of Spring begin to make its appearance, I feel the need to pause and consider the dark of Winter as it begins to pass.

I think our society often shrugs off the dark times too quickly, thinking it is a bad thing. It can be uncomfortable, but the dark is not bad. I can think of many places in nature where the dark plays a regular, if not, important role: things such as sleep, night, the moon moving from dark to full and over again. If we look to the cosmos, we find that most of space is made of what is called "dark matter".

The dark times offer reflection of past action and future possibilities. So much of my creative progress leaps forward tremendously after a period immersed in darkness. But, this growth only comes when I allow myself to really be in the dark, no matter how uncomfortable it might be. I think when we leap forward to escape the discomfort of the dark, we increase our chances of landing in a worse situation. Sometimes the situation requires quick action, and we are lucky and land in a better place. But, I believe most of the time, hurrying out of the dark, only limits the awareness of our situation and delays the suffering that comes for not learning the important lessons.

So, as we turn our clocks forward, or prepare for the season's change from winter to spring. I am taking a moment to thank winter--the dark time--for the opportunity to work through life's challenges by giving me time to focus and reflect. Spring comes, bringing new energy and respite from the dark time, but it is only temporary, for soon enough, Winter takes us back into her arms for another season of rest and reflection.

DoAn


All artwork and text © Copyright 2005-2008 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

What the Mid-winter Teaches

February 27th, 2009

What the Mid-winter Teaches

We have arrived at the midpoint between winter solstice and the spring equinox. In the ancient times this was a time to acknowledge that spring was not so far away, despite the tight grip winter still had over the land.


The ancient Irish Celts called this time Imbolc (im’olc) and it was the time of the winter hag, the Cailleach. On this day, she wandered out to gather her firewood for the remaining days of winter. If she felt strong and wanted to make winter last longer, she will make sure Imbolc was a sunny, clear day, so that she could easily gather firewood. People would use Imbolc day as a predictor of the length of winter. If the day was dark and weather foul, then the Cailleach was sleeping and winter would soon be over.

Imbolc was traditionally celebrated on the full moon closest to the midpoint between the winter solstice and the spring equinox. In more contemporary times, the holiday is celebrated on February 2nd. Groundhog’s day, with its prediction of the coming of spring, is very likely a modern remnant of the ancient holiday of Imbolc.

Many other cultures found this time of year to be important. The Greek myth of Persephone returning from the underworld was enacted at this time of year as part of the Eleusinian mysteries, to celebrate the coming of spring. The Romans celebrated Lupercalia, which honored the founding of the city of Rome by the twins Romulus and Remus. The ancient Egyptians celebrated the Feast of Nut, whose birthday was February 2nd (according to the Gregorian calendar). Nut was the mother goddess to the sun god Ra. The Catholics celebrate Candlemas, having usurped the holiday from the native European pagans.

For the ancient gaels, this time of year was particularly harsh. It was considered the dead month. But, despite the harsh winds and icy rain that fell, signs of spring could be found. Ewes began to lactate, Cows gave birth, Ravens started to build nests, and green buds started to appear on branches and poking through the dirt.

The holiday was sacred to the goddess Brigid, who became Saint Brigit when the Catholics took on the holiday. Brigid was the patron goddess of Fire, Poetry and Healing and symbolized by a spiral. Imbolc was important because it fell on an in-between time, a very powerful and sacred time for the Celts. Brigid, if properly respected, brought the flame of spring, healed the dead-time, and brought words to the poets lips. Her miraculous powers could change water into ale and stone into salt. With boundless generosity she fed birds, animals, and the poor, and they all loved her in return.

Rabbits and Hares are also ancient symbols of spring. Hares sleep in nests or “forms” which look very similar to the nest of the lapwing bird. The lapwing builds its nests on the ground and in spring the nests are filled with eggs, which people took to be hare’s eggs. The hare was an emissary of the Otherworld and a symbol of the in-between time, which made Imbolc a such a sacred time. It is also the time of year that the footprints of rabbits and hares can be seen in the snow, as they search out the tender green shoots to eat and court their mates.

In modern practice, Imbolc can be seen as a time to look bravely into the darkness and bear witness to the growing light. It is a time of renewal, of re-affirming those resolutions we took at the beginning of the year to better ourselves. Now is the time to understand that no matter how difficult and dark things may appear to be, it will pass, for in order for darkness to exist light must exist as well.

On February 2nd, or perhaps before the next rise of the full moon, take a moment to sit in a darkened room. Meditate upon what you would like to see grow in health and strength this year: for yourself, your family, your community, the Earth. Meditate on the darkness in your life, look to what it can teach you, then light a candle, or many candles, fill the room with light and celebrate in the knowledge that the dark times will soon come to an end. With the lighting of the candle, you ignite the flame of your soul, offering strength to last through the remaining dark times.

DoAn

Vermont Mountain Memory

January 13th, 2009

Vermont Mountain Memory

This is watercolor sketch in honor of the green mountains of Vermont.

I grew up surrounded by the Green Mountains. They have shaped the way I see and find myself connecting to the landscape around me. Flatland now feels empty and cold to me.

I recently spend four weeks at the Vermont Studio Center where I was nestled within a ring of mountains. Often I would watch from my studio window the snow falling over the pines that bristled the crest of the mountains.

This sketch is an amalgam of all the memories I have of the Green Mountains of Vermont. It is available as prints and greetings cards at Fine Art America and RedBubble respectively.

DoAn


DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of DoAn Art may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

All artwork and text © Copyright 2005-2008 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

A Gathering of Crows solo show

January 8th, 2009

I just hung a new show of paintings and drawings that I completed at the Vermont Studio Center residency. The show is called A Gathering of Crows and celebrates the crow both in myth and nature.

The piece pictured here is called Crow's Fall (30 x 40", acrylic on canvas) Many cultures around the world have stories about how the crow became black. The title of the painting comes from the poem Crow's Fall by Ted Hughes.


The artwork is currently hanging at the Sherrill-Kenwood Free Library, 543 Sherrill Rd, Sherrill, NY 13461.

A Gathering of Crows
One crow for sorrow,
Two crows for joy,
Three crows for a girl,
Four crows for a boy,
Five crows for silver,
Six crows for gold,
Seven crows for a secret never to be told;
Eight for a wish,
Nine for a kiss,
Ten for a time of joyous bliss.

If you are in the area, I hope you will stop by and visit the crows!

DoAn

Winter Deer

November 21st, 2008

Winter Deer


The sky is an endless white plain.
Snow falls in silent drifts.
Miniature clouds coat the fields,
muffle the wind,
soften the calls of birds.

Hidden in this world
of white and quiet,
a stag.

He is waiting,
patiently biding his time,
for that moment
when
stillness and silence
has passed.

DoAn
(Moon Phase: waning crescent)

("Winter Deer" is also available as a greeting card. Please visit www.redbubble.com/people/doanart/art/1981218-4-winter-deer.)

All artwork and text Copyright 2005-2008 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

The Spiral and a New Logo

November 17th, 2008

The Spiral and a New Logo

Some of you may have noticed that the DoAn Art logo recently changed. Over the last two years I have seen my art develop and evolve in a direction that was less rooted in Asian traditions as it used to be. Traditional Asian painting techniques will still be a big influence in my art, however, I wanted to open my work up to a more universal source, rather than be tied to one particular culture. I meditated for some time on what symbol would best represent my work and it wasn’t long before the spiral appeared in my mind’s eye. I immediately knew it was the right symbol for my logo. But it did take some teasing and study to get that image out of my mind and into the shape of a logo.

I learned that the spiral is a powerful symbol, long held in high regard by nearly every culture on earth. The Romans and Greeks used spirals to decorate pottery and temple columns. The Celtic and Nordic people used the spiral to decorate jewelry, clothing, weaponry and many other objects. The megalithic peoples of Europe carved spirals into many of their stone structures. The Australian Aboriginals used coiled snakes to represent the spiral and Islamic art used the mathematical principals of the spiral.

The spiral appears in nature. Geothe noted that many plants grew in a spiraling motion and that many seeds and flower petals formed spiral patterns. The spiral can also be found in the movement of the tides and winds as well as in the growth of shells and horns.

Symbolically the spiral can represent the growing and waning influence of the sun as it moves through the cycle of the year. Or it can represent the cycles of life and the rhythm of coming and passing, such as in the seasons, or of life and death itself. By the curving path of the lines, the spiral links outside to inside, space and spacelessness, time and eternity, material and spirit. I have even used the spiral in my own artwork. If you look at my last painting The Honeybee, I centered the thorax of each bee over the path of a spiral.

As a result of my meditation and study, I decided to develop a logo utilizing the symbol of the spiral. I also made two spirals emerging from a single source, perhaps they are merging into one, or maybe it is both simultaneously. I wanted a logo that symbolized how my art comes from a common source, a universal place that we all share. It is my hope that my art will connect me to other people, to nature, and to all that makes up the world we know and don’t know. I also believe that the spiral adequately represents the patron-artist relationship, where two people work together toward one goal, unifying their energies for a common purpose. Over time, I am sure my logo will continue to develop, but for now I believe this new design best represents my art and what I hope to achieve through it.

I hope you enjoy the new design! Please take a moment to look for how the spiral informs and influences your own life!

DoAn
(Moon Phase: waning gibbous )

DoAn Art is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of DoAn Art may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

All artwork and text © Copyright 2005-2008 DoAn Art (Antony Galbraith) unless indicated otherwise. All Rights Reserved. Any downloading, copying or use of images on this website is strictly prohibited without express written consent by Antony Galbraith.

Halloween the ending and the beginning

October 31st, 2008

Halloween the ending and the beginning

Over the past year year, much of my art has focused on exploring our relationship with the natural world. As a result, I have discovered both fascinating things about the earth and frightening things how we treat it. We have come to a time where we face the very real possibility of global catastrophe because of our collective disregard for the earth and the cycles of nature. Many of us (including myself) are starting adjust our lifestyles by reducing waste and conserving energy and I believe it is a step in the right direction. However, in addition to these efforts, I have decided to go a bit deeper. I chose this Halloween to begin relating and connecting to the earth by following the seasonal and lunar cycles. I believe by tuning into the cycle of the earth, I will find myself becoming more psychologically aware of the needs of the earth as well as more harmonized with the energy of seasons. I suspect that by having been separated from these natural rhythms and cycles, I have also become disconnected from the earth, from others and myself as well.

The reason I chose Halloween to begin this new way of being in the world is that traditionally it is the time when the world (the Northern Hemisphere) enters the dark of the year. This is not regarding the sun’s cycle, which is followed by the solstices and the equinoxes, but rather the seasonal cycle. Halloween marks the time when autumn turns into winter. The leaves have fallen from the trees, most of the harvest has been gathered, any blackberries left on the brambles are no longer good to eat, and frosts get heavier and colder. In the Celtic world-view this time marks the end of the old year and the beginning of the new. The ancient Celtic and the Hindu systems (and I believe many others as well) understand that the dark precedes the light, so a time of darkness must begin a natural cycle. Consider that many of the popular holidays and festivals are celebrated on the eve (Christmas Eve, New Year’s Eve, All Soul’s Eve, etc.).

I am going to experience the energy of the season, by using this time to celebrate the end of the yearly cycle and the beginning of the next. It will be a time to reflect on all the things that I did and did not like about the past year and decide on what should be changed or implemented to benefit the new year.

In ancient tradition, this transition from the old year into the next existed outside of time. I believe this came from following a lunar calendar in which there were a few extra days (five I believe) that didn’t quite fit into a annual system. Those remaining days where held over for this time of year where chaos was given time to rule. People played pranks, dressed up, and generally acted silly or crazy. I suspect this is partly where the tradition of dressing in costumes and celebrating “cabbage night” may have originated. Another belief at this time was that the line that separated the physical world from the Otherworld disappeared. People could commune with their ancestors and those who had passed on before them. By honoring and giving thanks to those who helped to shape them and gave them what they had, they could better understand their own lives.

So tonight at 5:55pm EST (the time of sunset where I live) I will light a candle and take a moment to reflect on the past year, give thanks to those who came before me, and acknowledge the changes that I will need to implement in order to make the coming year beneficial for all who share this beautiful place we call home.

Happy Hallowe’en, All Soul’s Eve, Samhain, Autumn into Winter, etc.

DoAn
(Moon Phase: waxing crescent)

 

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